What is my art practice about? This is a question which I’m occasionally forced to address, usually when filling out those dreaded exhibition proposals.
I’ll start from the points I easily know and perhaps by pegging those down a shape may emerge.
I’m obsessed with the human female form. Yes I am one so that helps but also I strongly feel that there is too much public representation of a very narrow set of female figures. I’m adding my voice to the story. I can’t single-handedly readjust this direction but through using my family and friends, though generally myself primarily, as model for a lot of my work, but I am widening the canon.
|All artworks my original|
I am a sex positive person. I do not believe sex is a dirty, secretive thing. It is a pleasure that we humans can and should enjoy. I am conscious of being a strong role model for my two daughters. A large part of sex for women is how they feel about their bodies. Extrapolate this idea further -if they don’t see their bodies represented as an idea of beauty, they may easily not innately know that they are beautiful and furthermore acceptable.
I am sure that I also paint myself as a larger body for my own well being. Putting my form on the canvas separates the end product from me as a person so I never truly feel that it is exactly me. It’s not me. It’s a view of me but it’s not me. I don’t know if it’s narcissistic. I feel quite divorced when I’m applying the pigment. Lines and curves, tone and colour are all I see. Posting images on social media doesn’t even feel like exposure.
I say all this and yet to some degree I occasionally get self-conscious when someone in a public gallery asks if I was the model for a particular piece.
No doubt to a degree part of my way of working involves arrogance. I have to show some bravado that I know what I’m doing. My lack of formal art school training rears its ugly head every now and then but I’m not really interested in spending multiple thousands of dollars for something which may or may not benefit me. A friend started studying art formally a few years ago and she learnt a slew of practice how to information which I think could be very useful. The next section of her education was more cerebral and that’s where it lost me. A lot of conceptual art passes me right by.
When I start a piece I don’t always know where it is going. I have an idea that may or may not pan out. It’s generally more interesting when things don’t go to plan. In fact, I like it when things go ‘wrong’ either from a technical point of view, compositionally or due to other factors. It forces me to come at it from a different angle.
I know that I’m talking around the thing that is my art practice. I find it very difficult to easily answer the question. In fact, I’m not sure I even really know the question. Perhaps that is part of where I get lost. My art practice is mostly exploration – what it is like being a woman in this time, with my unique set of experiences yet drawing on some universal themes that others, not only those who identify as female, can relate to.